Contact Improvisation

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Playing with gravity, exploring physics using bodies, finding the limits of attention and expanding them. Contact Improvisation may be a dance of improvising and partnering based on the physics of touch, balance, weight, momentum, flow and resistance. It tunes our senses to be ready to respond in an ever-shifting dialogue of movement. Sometimes quiet and Continue reading…

Haptic Creativity

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Co-authored with Natasha Myers. 2011 “Haptic Creativity and the Mid-Embodiments of Experimental Life,” in Companion to the Anthropology of Bodies/Embodiment.  In this chapter, we present our collaboration working as anthropologists of experimental forms of life. We examine fieldsites where practitioners develop and use computerized visualization technologies. In the process we aim to collaborate with scientists and Continue reading…

Expressing the CAVES

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Expressing the Caves: Art & Science in 3D Immersive Dialogue, co-designed by Dumit, sculptor Robin Hill and geologist Dawn Sumner, was originally planned as a daylong session for 18 artists and computer scientists to brainstorm new ideas, but thanks to the exigencies of scheduling, it morphed into an ongoing series of visits by individuals or Continue reading…

»Fascia Movement Research Lab (Dumit & O’Connor)

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STS.175 Laboratory Studies Lab (Special Fall 2015 Course, limited to 19 students) Fascia Movement Research Lab (led by Prof. Joseph Dumit & Kevin O’Connor) Science & Technology Studies (STS) is the study of how science, technology, and medicine change. Laboratory studies involves participant observation in research labs to understand how facts are negotiated, crafted, and Continue reading…

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»Artificial Participation

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An Interview with Warren Sack Appears in Zeroing in on the Year 2000: The Final Edition (Late Editions 8 ) George E. Marcus, Editor (Chicago: University of Chicago Press, 2000). Preface: Recently I was talking with a friend, relating an incident that had happened to me when my word processing program froze, when I realized Continue reading…

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