Contact Improvisation


Playing with gravity, exploring physics using bodies, finding the limits of attention and expanding them. Contact Improvisation may be a dance of improvising and partnering based on the physics of touch, balance, weight, momentum, flow and resistance. It tunes our senses to be ready to respond in an ever-shifting dialogue of movement. Sometimes quiet and Continue reading…

Teach ABody++


ANT 210-001, Tue 3-6p, Young 224 Prof. Joseph Dumit,   Class is designed around learning to answer and re-answer the following questions: What can a body do? Where does a body end? How does a body feel? Does a body have a machine? How can a body be extended? How does a body end? Continue reading…

Sitting, Academic Style

Skeleton At Computer 1

STS as Equipment for Literature: Sitzfleisch Material Semiosis (draft for 4S talk for panel, “Get your theories up and running with lively machines” – comments welcome) the title is a variation on rhetorician Kenneth Burke’s brilliant piece, “Literature as Equipment for Living,” describing the uses of inspirational and self-help books, noting that most people read Continue reading…

»Fascia Movement Research Lab (Dumit & O’Connor)


STS.175 Laboratory Studies Lab (Special Fall 2015 Course, limited to 19 students) Fascia Movement Research Lab (led by Prof. Joseph Dumit & Kevin O’Connor) Science & Technology Studies (STS) is the study of how science, technology, and medicine change. Laboratory studies involves participant observation in research labs to understand how facts are negotiated, crafted, and Continue reading…




[Excerpts:]┬áParsing the neuronal sensorium is already to dismantle through analysis that which we imagine to be a comprehensive totality. If our sensorium is the sensing package that constitutes our participation in the world, then it follows that this assemblage of sensory inputs defines our boundaries, making the world present to us and by subtraction making Continue reading…