Contact Improvisation

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Playing with gravity, exploring physics using bodies, finding the limits of attention and expanding them. Contact Improvisation may be a dance of improvising and partnering based on the physics of touch, balance, weight, momentum, flow and resistance. It tunes our senses to be ready to respond in an ever-shifting dialogue of movement. Sometimes quiet and Continue reading…

Teach ABody++

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ANT 210-001, Tue 3-6p, Young 224 Prof. Joseph Dumit, dumit@ucdavis.edu   Class is designed around learning to answer and re-answer the following questions: What can a body do? Where does a body end? How does a body feel? Does a body have a machine? How can a body be extended? How does a body end? Continue reading…

Sitting, Academic Style

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STS as Equipment for Literature: Sitzfleisch Material Semiosis (draft for 4S talk for panel, “Get your theories up and running with lively machines” – comments welcome) the title is a variation on rhetorician Kenneth Burke’s brilliant piece, “Literature as Equipment for Living,” describing the uses of inspirational and self-help books, noting that most people read Continue reading…

»Teach Affecting Attention, Material Thought

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ANT210 Affecting Attention, Material Thought Instructor: Joe Dumit  Time: Fall 2011   The encounter between two disciplines doesn’t take place when one reflects on the other, but when one discipline realizes that it has to resolve, for itself, a problem similar to one confronted by the other. – Gilles Deleuze In this course we will Continue reading…

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»When Explanations Rest

Chronic Fatigue CFS 4

“Good-Enough” Brain Science and the New Socio-Medical Disorders. Published in in Living and Working with the New Biomedical Technologies: Intersections of Inquiry, eds. Margaret Lock, Allan Young and Alberto Cambrosio. Explanations come to an end somewhere. – Wittgenstein Wittgenstein’s opening to Philosophical Investigations points to a funda­ mental crisis in scientific and medical research: When is there enough Continue reading…

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