Contact Improvisation

Contact-Improv-panoramiqque_att_1-fed17

Playing with gravity, exploring physics using bodies, finding the limits of attention and expanding them. Contact Improvisation may be a dance of improvising and partnering based on the physics of touch, balance, weight, momentum, flow and resistance. It tunes our senses to be ready to respond in an ever-shifting dialogue of movement. Sometimes quiet and Continue reading…

Teach ABody++

Bodies-Skateboard

ANT 210-001, Tue 3-6p, Young 224 Prof. Joseph Dumit, dumit@ucdavis.edu   Class is designed around learning to answer and re-answer the following questions: What can a body do? Where does a body end? How does a body feel? Does a body have a machine? How can a body be extended? How does a body end? Continue reading…

Sitting, Academic Style

Skeleton At Computer 1

STS as Equipment for Literature: Sitzfleisch Material Semiosis (draft for 4S talk for panel, “Get your theories up and running with lively machines” – comments welcome) the title is a variation on rhetorician Kenneth Burke’s brilliant piece, “Literature as Equipment for Living,” describing the uses of inspirational and self-help books, noting that most people read Continue reading…

»Picturing Personhood: Brain Scans and Biomedical Identity

k7674

By showing us the human brain at work, PET (positron emission tomography) scans are subtly–and sometimes not so subtly–transforming how we think about our minds. Picturing Personhood follows this remarkable and expensive technology from the laboratory into the world and back. It examines how PET scans are created and how they are being called on Continue reading…

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»Cyborg Anthropology

CyborgAnthropologySite

The text of a paper we presented at the 1992 Annual Meeting of the American Anthropological Association in San Francisco. It represents a first attempt at positioning cyborg anthropology in a late capitalist world that situates academic theorizing alongside popular theorizing. We view cyborg anthropology as a descriptive label that marks a cultural project rather Continue reading…

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»Embodying Improvisation

improvising

What are we talking about when we talk about embodiment, bodies, our bodies, other bodies? How did we learn to talk these ways that these words come so easily out of our mouths and fingers? And are we always improvising, and if so, how, and against what background of non-improvisation? Embodying Improvisation Class Winter 13 Continue reading…

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