Meredith Tromble and Dawn Sumner on Collaborative Art-Science Research in CAVES

“Of CAVEs and Curiosity: Imaging and Imagination in Collaborative Research”In the KeckCAVES visualization facility at UC Davis, one can walk into a snowflake or fly over a landslide. Images from around space and time flicker into existence as researchers interact with their data in three dimensions. Among the sights to be seen are ancient microbes, Continue reading…

Contact Improvisation

Contact-Improv-panoramiqque_att_1-fed17

Playing with gravity, exploring physics using bodies, finding the limits of attention and expanding them. Contact Improvisation may be a dance of improvising and partnering based on the physics of touch, balance, weight, momentum, flow and resistance. It tunes our senses to be ready to respond in an ever-shifting dialogue of movement. Sometimes quiet and Continue reading…

»Cyborg Babies

CyborgBabies

From Techno-sex to Techno-tots Edited by Robbie Davis-Floyd and Joseph Dumit (Routledge, Aug 1998) From fetuses scanned ultrasonically to computer hackers in daycare, contemporary children are increasingly rendered cyborg by their immersion in technoculture. As we are faced with reproductive choices connected directly with technologies, we often have trouble gaining perspective on our own cultural Continue reading…

+
-

»Sitting, Academic Style

Skeleton At Computer 1

STS as Equipment for Literature: Sitzfleisch Material Semiosis (draft for 4S talk for panel, “Get your theories up and running with lively machines” – comments welcome) the title is a variation on rhetorician Kenneth Burke’s brilliant piece, “Literature as Equipment for Living,” describing the uses of inspirational and self-help books, noting that most people read Continue reading…

+
-

»Embodying Improvisation

improvising

What are we talking about when we talk about embodiment, bodies, our bodies, other bodies? How did we learn to talk these ways that these words come so easily out of our mouths and fingers? And are we always improvising, and if so, how, and against what background of non-improvisation? Embodying Improvisation Class Winter 13 Continue reading…

+
-